Dog Star / A Creative Arts Guide
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DOG STAR NYC IS A CREATIVE ARTS GUIDE | ART + THEATER + CHEAP DATES + POP CULTURE + FREE EVENTS + CITY LIVING + DESIGN + MUSIC + PHOTOGRAPHY + SPORTS + VIDEO + FILM + STREET LIFE + WRITING + POETRY & LOTS OF FUN + MAKE ART OUT OF YOUR LIFE!
Image above: Vik Muniz
A Bar at the Folies-Bergère after Édouard Manet, from the Pictures of Magazines 2 series, 2012.
Out of the refuse of modern life—torn scraps of outdated magazines, destined for obscurity—Muniz has assembled an ode to one of the first paintings of modern life. Édouard Manet’s A Bar at the Folies-Bergère, painted in 1882, explores the treachery of nineteenth-century Parisian nightlife through the depiction of a bartender attending to a male patron reflected in the mirror behind her. Muniz plays on Manet’s style, replacing Manet’s visible brushstrokes with the frayed edges of torn paper and lending the work immense visual interest.
“Thank you for DogStarNYC, in general. The site speaks to so many kinds of interests; it discerns which qualities will appeal to many different tastes in a tremendous number of activities. I love how it encourages young people to pay attention to the unusual.
In New York we let so many teens walk around the periphery, mildly shell-shocked by life, while the information that they need to make sense of their world sits in the center of the room. DogStarNYC welcomes them into the middle of the room; the blog tells them how to walk there. ” - Stacy L.
DOG STAR is the creation of a high school English teacher in New York City. This blog began in 2008 as an online community for a journalism class and has since evolved into a curated site on the creative arts, arts-related news and a guide to free and low-cost events for teens. Our mission is to offer teens real-life options for enjoying all the creative arts in New York City. May wisdom guide you and hope sustain you. The more you like art, the more art you like!
Thursday, December 17, 2015
Brunelleschi’s Santo Spirito
When Brunelleschi was designing Santo Spirito (1450s, Florence, Italy), he applied a system of mathematical ratios to the different parts of the church. In other words, he used a mathematical ratio to govern the relationships between the different parts of the building, for example, the width of the nave is related to the height of the nave and so on.
It is important to recognize that Brunelleschi and other Renaissance humanists believed that God created the world according to mathematical principles, principles that governed harmony and beauty.
If you want to create musical harmony, they reasoned, you needed to think about the mathematical relationships (or ratios) between the notes (and this is true right? If you play a musical instrument like the piano, you know that in order to make two notes harmonious, you need to think about the mathematical relationship of the notes) so if you want to create harmony in architecture you have to think about the mathematical relationships (ratios) between the parts of the building.
What is so striking about this idea is that beauty lies in the relationships between the parts — the proportions, and also the Humanist sense that we can know the mind of our creator and the laws of harmony with which he created the universe.