Dog Star / A Creative Arts Guide
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DOG STAR NYC IS A CREATIVE ARTS GUIDE | ART + THEATER + CHEAP DATES + POP CULTURE + FREE EVENTS + CITY LIVING + DESIGN + MUSIC + PHOTOGRAPHY + SPORTS + VIDEO + FILM + STREET LIFE + WRITING + POETRY & LOTS OF FUN + MAKE ART OUT OF YOUR LIFE!
Image above: Vik Muniz
A Bar at the Folies-Bergère after Édouard Manet, from the Pictures of Magazines 2 series, 2012.
Out of the refuse of modern life—torn scraps of outdated magazines, destined for obscurity—Muniz has assembled an ode to one of the first paintings of modern life. Édouard Manet’s A Bar at the Folies-Bergère, painted in 1882, explores the treachery of nineteenth-century Parisian nightlife through the depiction of a bartender attending to a male patron reflected in the mirror behind her. Muniz plays on Manet’s style, replacing Manet’s visible brushstrokes with the frayed edges of torn paper and lending the work immense visual interest.
“Thank you for DogStarNYC, in general. The site speaks to so many kinds of interests; it discerns which qualities will appeal to many different tastes in a tremendous number of activities. I love how it encourages young people to pay attention to the unusual.
In New York we let so many teens walk around the periphery, mildly shell-shocked by life, while the information that they need to make sense of their world sits in the center of the room. DogStarNYC welcomes them into the middle of the room; the blog tells them how to walk there. ” - Stacy L.
DOG STAR is the creation of a high school English teacher in New York City. This blog began in 2008 as an online community for a journalism class and has since evolved into a curated site on the creative arts, arts-related news and a guide to free and low-cost events for teens. Our mission is to offer teens real-life options for enjoying all the creative arts in New York City. May wisdom guide you and hope sustain you. The more you like art, the more art you like!
Sunday, November 8, 2015
Matisse and French Polynesia
It was in dream-like terms that the painter Henri Matisse viewed one such lagoon when, ordered to take a complete rest, he arrived in 1930 on the battered English mailboat, Tahiti, with a sullen captain, abysmal food and a bunch of Australian sheep farmers.
'It is as if the light were immobilised forever,' he revelled. 'It is as if life were frozen in a magnificent stance.'
He used the words pulpy, pithy and caressing to evoke the sunlight - and reckoned that it felt like plunging your eye into a goblet.
But it's the color of the water that stays in the mind.
To Matisse, the sea was a talismanic blue - 'a blue like the blue of the morpho butterfly'. The Tahitians call it ninamu.
Sixteen years later this experience shows up in a cut painter paper collage called "Polynesia."
Above: POLYNESIA, 1946.