Dog Star / A Creative Arts Guide

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DOG STAR NYC IS A CREATIVE ARTS GUIDE | ART + THEATER + CHEAP DATES + POP CULTURE + FREE EVENTS + CITY LIVING + DESIGN + MUSIC + PHOTOGRAPHY + SPORTS + VIDEO + FILM + STREET LIFE + WRITING + POETRY & LOTS OF FUN + MAKE ART OUT OF YOUR LIFE!

Image above: Vik Muniz

A Bar at the Folies-Bergère after Édouard Manet, from the Pictures of Magazines 2 series, 2012.

Out of the refuse of modern life—torn scraps of outdated magazines, destined for obscurity—Muniz has assembled an ode to one of the first paintings of modern life. Édouard Manet’s A Bar at the Folies-Bergère, painted in 1882, explores the treachery of nineteenth-century Parisian nightlife through the depiction of a bartender attending to a male patron reflected in the mirror behind her. Muniz plays on Manet’s style, replacing Manet’s visible brushstrokes with the frayed edges of torn paper and lending the work immense visual interest.

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DOG STAR is the creation of a high school English teacher in New York City. This blog began in 2008 as an online community for a journalism class and has since evolved into a curated site on the creative arts, arts-related news and a guide to free and low-cost events for teens. Our mission is to offer teens real-life options for enjoying all the creative arts in New York City. May wisdom guide you and hope sustain you. The more you like art, the more art you like!

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Monday, June 29, 2015

Abandoned Paintings by Bence Hajdu

 Dog Star says this is an odd project in which the artist removes people from famous pictures.


Now look at the original called original of leonardo da vinci's 'the last supper', 1495-1498



hungarian new-media artist bence hajdu has re-imagined well-known paintings such as claude lorrain's 'seaport with the embarkation of st. ursula' by erasing people and characters so that only the artwork's architecture remains. the work is an outcome of hajdu's interest in examining the pure drawn perspectives of the classic paintings, revealing an unusual atmosphere only becoming palpable after removing the figures. hajdu says of the work: 'I am a student at the university of fine arts, hungary. at one of the descriptive geometry classes we had a task to find and draw the perspective and horizon lines of renaissance and other pictures with significant perspective space. I thought it is not that interesting to just draw lines, so I decided to erase all the characters from them and examine how the painter really created the perspective space and how it actually looks. I saw this could be something exciting and continued thinking and working on it. after a while I found myself interested in the new atmosphere and the new thoughts the retouched pieces generated without their main subjects.' when comparing the re-interpreted jacques louis david's 'oath of the horatii' with the original, the spirit of the artwork is completely transformed - removing the tension and chaos of battle leaves a scene much more still, tranquil and even bleak. the audience is left with a new perspective and understanding of the artwork only attained through hajdu's depiction, shifting the once entrenched energy of the famous artworks.
Other then interesting for art classes I find these photo-shops superfluous. We must not forget that the artist never intended to draw a scene without humans in it. If these old masters had the intention to make an architectural drawing there would definitely be another outcome.










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