Dog Star / A Creative Arts Guide

ENTER YOUR EMAIL TO SUBSCRIBE AT THE RIGHT

BELIEVE YOU BELONG!

BE CURIOUS ABOUT THE WORLD!

AT THE BOTTOM OF THIS PAGE CLICK "OLDER POSTS" TO SEE MORE CONTENT!

DOG STAR NYC IS A CREATIVE ARTS GUIDE | ART + THEATER + CHEAP DATES + POP CULTURE + FREE EVENTS + CITY LIVING + DESIGN + MUSIC + PHOTOGRAPHY + SPORTS + VIDEO + FILM + STREET LIFE + WRITING + POETRY & LOTS OF FUN + MAKE ART OUT OF YOUR LIFE!

Image above: Vik Muniz

A Bar at the Folies-Bergère after Édouard Manet, from the Pictures of Magazines 2 series, 2012.

Out of the refuse of modern life—torn scraps of outdated magazines, destined for obscurity—Muniz has assembled an ode to one of the first paintings of modern life. Édouard Manet’s A Bar at the Folies-Bergère, painted in 1882, explores the treachery of nineteenth-century Parisian nightlife through the depiction of a bartender attending to a male patron reflected in the mirror behind her. Muniz plays on Manet’s style, replacing Manet’s visible brushstrokes with the frayed edges of torn paper and lending the work immense visual interest.

“Thank you for DogStarNYC, in general. The site speaks to so many kinds of interests; it discerns which qualities will appeal to many different tastes in a tremendous number of activities. I love how it encourages young people to pay attention to the unusual.

In New York we let so many teens walk around the periphery, mildly shell-shocked by life, while the information that they need to make sense of their world sits in the center of the room. DogStarNYC welcomes them into the middle of the room; the blog tells them how to walk there. ” - Stacy L.

EMAIL: dogstarcontact@gmail.com

DOG STAR is the creation of a high school English teacher in New York City. This blog began in 2008 as an online community for a journalism class and has since evolved into a curated site on the creative arts, arts-related news and a guide to free and low-cost events for teens. Our mission is to offer teens real-life options for enjoying all the creative arts in New York City. May wisdom guide you and hope sustain you. The more you like art, the more art you like!

IMPORTANT NOTICE OF NON COMMERCIAL & EDUCATIONAL CONTENT Unless otherwise stated, we do not own copyrights to any of the visual or audio content that might be included on this blog. Dog Star is for criticism, commentary, reporting and educational purposes under the FAIR USE ACT: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. If you own the copyright to any images and object to them being included in this blog, please advise and the content will be removed. No attempt is made for material gain from this blog's content.

Monday, March 2, 2015

Jim Crow-Era Photos by Gordon Parks


from High Museum of Art in Atlanta, Georgia:


In 1956, Life magazine published twenty-six color photographs taken by staff photographer Gordon Parks. The photo essay, titled The Restraints: Open and Hidden, exposed Americans to the effects of racial segregation. Parks focused on the everyday activities of the related Thornton, Causey, and Tanner families in and near Mobile, Alabama, capturing their everyday struggles to overcome discrimination. 

Parks's photo essay served as crucial documentation of the Jim Crow South and acted as a national platform for challenging racial inequality. However, rather than focusing on the demonstrations, boycotts, and brutality that characterized the battle for racial justice, Parks emphasized the prosaic details of one family's life. In particular, his ability to elicit empathy through an emphasis on intimacy and shared human experience made the photographs especially poignant. 

The serene images provided an exceptional account of a nationwide struggle, yet one that remained invisible to many. Parks strove to undo racial stereotypes by providing a positive, complex account of real people. By contrasting the normal activities of daily life – preparing taxes, doing laundry, cooking dinners, cutting timber – with persistent evidence of social inequality, he exposed the damaging effects of racial and economic subjugation on the family's pride and opportunity. 

Although the pictures associated with Parks’s work for the segregation story were believed lost for several decades, The Gordon Parks Foundation recently uncovered more than two hundred transparencies that comprise the full series. This exhibition brings together more than forty of those images, many on view for the first time. Together, they give a sense of the complexity and breadth of Parks's vision and also provide a deeper look into the experience of segregation in the South. 







No comments: