Dog Star / A Creative Arts Guide
BELIEVE YOU BELONG!
BE CURIOUS ABOUT THE WORLD!
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DOG STAR NYC IS A CREATIVE ARTS GUIDE | ART + THEATER + CHEAP DATES + POP CULTURE + FREE EVENTS + CITY LIVING + DESIGN + MUSIC + PHOTOGRAPHY + SPORTS + VIDEO + FILM + STREET LIFE + WRITING + POETRY & LOTS OF FUN + MAKE ART OUT OF YOUR LIFE!
Image above: Joseph Stella, Battle of Lights, Coney Island, Mardi Gras (detail), 1913–14, oil on canvas, Yale University Art Gallery, New Haven, Connecticut, Gift of Collection Société Anonyme, 1941.689
“Thank you for DogStarNYC, in general. The site speaks to so many kinds of interests; it discerns which qualities will appeal to many different tastes in a tremendous number of activities. I love how it encourages young people to pay attention to the unusual.
In New York we let so many teens walk around the periphery, mildly shell-shocked by life, while the information that they need to make sense of their world sits in the center of the room. DogStarNYC welcomes them into the middle of the room; the blog tells them how to walk there. ” - Stacy L.
DOG STAR is the creation of a high school English teacher in New York City. This blog began in 2008 as an online community for a journalism class and has since evolved into a curated site on the creative arts, arts-related news and a guide to free and low-cost events for teens. Our mission is to offer teens real-life options for enjoying all the creative arts in New York City. May wisdom guide you and hope sustain you. The more you like art, the more art you like!
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Friday, February 5, 2016
Thursday, February 4, 2016
Neighborhood Concert: Brown Rice Family
LaGuardia Performing Arts Center
Wednesday, February 3, 2016
Tuesday, February 2, 2016
Monday, February 1, 2016
Sunday, January 31, 2016
Cézanne painted this imaginary scene many, many times. He was always exploring different placements of the figures, color, shapes, composition and the deeply private enjoyment / entertainment of escaping into this lush, imaginary landscape.
This one is in the collection of the Musée d'Orsay, Paris.
His great ambition was to achieve a complete fusion of the human figure and the landscape. Each element is given the same importance in a sort of common architecture. The artist dos not focus on the flesh, as Renoir did, but rather on the bodies which powerfully structure the space. The theme of water is left aside and the world of the painting remains essentially mineral. Only the smooth, delicately iridescent substance of the clouds recalls Cezanne's attachment to Impressionism.
Saturday, January 30, 2016
Friday, January 29, 2016
remain sitting at your table and listen.
do not even listen, simply wait,
be quiet still and solitary.
the world will freely offer itself
to you to be unmasked, it has no choice,
it will roll in ecstasy at your feet.
- Franz Kafka
Thursday, January 28, 2016
Some freshmen students at Duke University are protesting the assignment of Fun Home, claiming reading it would violate their Christian beliefs.
More nonsense (here) from the population in American society who believes, not in Christ, but that the sole definer of their faith is how offended they can by other people's lifestyles.
Three things to know here:
1. These students do not go to a Christian college. Duke is a secular, private college. The college has no mission or obligation to only assign materials that will uphold your personally held religious beliefs.
2. They can claim to be offended by being assigned FUN HOME but they cannot claim it violates their Christian beliefs. For that to be true they must be FORCED to believe something - such as homosexuality is not a sin but a natural part of the physical universe - that breaks the rules of their faith. Reading a book is an act of the mind and heart but it does no terrorism to anyone's religious beliefs. Knowledge or insight gained from a book has limited impact and use on any person whose faith is stronger than anything found in the book. So go on and be offended that Duke attempts to be inclusive but you haven't been violated.
3. Finally, the pursuit of an undergraduate education is still intended to open minds to a range of thought; expose students to all kinds of worlds and perspectives all in the safety of the college campus. If they're going to pretend that college made it unsafe to be there (the violation of the Christian beliefs) then they are not only believing a faction but also this campus is not where you belong.
Wednesday, January 27, 2016
I’m sorry I cannot say I love you when you say
you love me. The words, like moist fingers,
appear before me full of promise but then run away
to a narrow black room that is always dark,
where they are silent, elegant, like antique gold,
devouring the thing I feel. I want the force
of attraction to crush the force of repulsion
and my inner and outer worlds to pierce
one another, like a horse whipped by a man.
I don’t want words to sever me from reality.
I don’t want to need them. I want nothing
to reveal feeling but feeling—as in freedom,
or the knowledge of peace in a realm beyond,
or the sound of water poured in a bowl.
Tuesday, January 26, 2016
Monday, January 25, 2016
He's a Don in a Chinese restaurant peering through beaded curtains at two superfine women seated opposite each other. A waiter comes in and lays a handgun on the table. Daddy Yankee watches each one pick it up, rub it on her body and place the gun in her mouth. They also appear to be playing a kind of Russian roulette. But he has no care for either one of them:
I don't wanna see you again
The one I have now she's loyal to me
Why do you search for me and you call me?
Now you want me on your bed
You'll never look like her
I tell it to you...
No no no no
They aren't alike
For me is that they're rivals
But don't compare them
They also have no control of the situation. Clearly they have been directed - like beautiful caged birds - to stay in this room and see who survives. Each presumes she will be rewarded with Daddy's love and companionship. Both are wrong. At the end of the video he has a third women waiting for him in an automobile.
The negative MACHISMO stereotypes are off the charts here, too. He's the DON sitting in a throne (Fu Dogs are cliché and still corny). Young Latino males definitely learn from the video that YOU ARE THE MAN if females are willing to kill each other for the D.
It's too bad an artist knee deep in the game can't come up with a more respectful way to represent Latinas in his music videos.
Sunday, January 24, 2016
Saturday, January 23, 2016
Rafael Tufiño died in 1988 but his legacy lives on.
Rafael Tufiño, Artist, Is Dead at 85
The cause was lung cancer, said Augusto Font, a friend.
An artist known as the “Painter of the People” for his canvases and posters depicting traditional aspects of life on the island, Mr. Tufiño will lie in state in the Galería Nacional del Instituto de Cultura Puertorriqueña in San Juan before burial later this week. Aníbal Acevedo-Vilá, the governor of Puerto Rico, ordered flags to be flown at half-staff over the weekend in his honor.
Mr. Tufiño, who was born in Brooklyn and frequently returned to the city, was an important presence in New York, where he was a mentor to Puerto Rican artists and served as a bridge to Puerto Rico’s traditions and aesthetics.
He was a founder of Taller Boricua, a workshop and art collective started in East Harlem in 1970, and was also influential in the establishment of El Museo del Barrio in that neighborhood. His work was the subject of a major retrospective at the museum in 2003.
Mr. Tufiño’s art, which can be seen on posters throughout Old San Juan, presents scenes of daily life in Puerto Rico — work, dance, music and festivals — in bright, Fauvist colors. His paintings, including landscapes, interiors and portraits, are in the collections of the Museum of Modern Art, the Metropolitan Museum of Art, the Library of Congress and the Galería Nacional in Puerto Rico.
In 2003, he was given a lifetime achievement award by the National Arts Club in New York City.
Born Rafael Tufiño Figueroa in 1922, he became interested in Puerto Rican traditions as a child in Brooklyn, where he often heard stories of life on the island from his mother and father.
When, at 10, he moved to San Juan to live with his grandmother, his drew pictures of nearly everything he saw.
READ MORE OF THE OBIT HERE
Friday, January 22, 2016
Thursday, January 21, 2016
He said “iridescent creature rather than an actual person” - I think this says a lot about his disconnection to the rest of humanity and his own human-ness.
Wednesday, January 20, 2016
Tuesday, January 19, 2016
Monday, January 18, 2016
The professor then picked up a box of pebbles and poured them into the jar. He shook the jar lightly. The pebbles roll
ed into the open areas between the golf balls. He then asked the students again if the jar was full. They agreed it was.
The professor next picked up a box of sand and poured it into the jar. Of course, the sand filled up everything else. He asked once more if the jar was full.. The students responded with a unanimous ‘yes.’
The professor then produced two Beers from under the table and poured the entire contents into the jar effectively filling the empty space between the sand.The students laughed..
‘Now,’ said the professor as the laughter subsided, ‘I want you to recognize that this jar represents your life. The golf balls are the important things—-your family, your children, your health, your friends and your favorite passions—-and if everything else was lost and only they remained, your life would still be full. The pebbles are the other things that matter like your job, your house and your car.. The sand is everything else—-the small stuff.
‘If you put the sand into the jar first,’ he continued, ‘there is no room for the pebbles or the golf balls. The same goes for life.
If you spend all your time and energy on the small stuff you will never have room for the things that are important to you.
Pay attention to the things that are critical to your happiness.
Spend time with your children. Spend time with your parents. Visit with grandparents. Take your spouse out to dinner. Play another 18. There will always be time to clean the house and mow the lawn.
Take care of the golf balls first—-the things that really matter. Set your priorities. The rest is just sand.
One of the students raised her hand and inquired what the Beer represented. The professor smiled and said, ‘I’m glad you asked.’ The Beer just shows you that no matter how full your life may seem, there’s always room for a couple of Beers with a friend.
Sunday, January 17, 2016
An ancient Roman sculpture in marble portraying the Goddess of Abundance. (Inspired by the archetype of the Artemis of Ephesus.)
She has numerous breasts and bull’s testicles. The garlands of acorns displayed are the symbols of the March-to-August Zodiacal Sign of Aries, Taurus, Gemini, and Cancer.
Artist Louise Bourgeois in 1978.
Saturday, January 16, 2016
Friday, January 15, 2016
Thursday, January 14, 2016
Wednesday, January 13, 2016
from the Wall Street Journal:
Hip-hop is super-relevant to my business—venture capital and management. In the 1980s, most of the original rappers were entrepreneurs, recording CDs and selling them out of their cars. More important, hip-hop artists make listeners feel their stories—a skill many business managers need.
GO TO THE WSJ SITE TO READ THE REST OF THE BRIEF INTERVIEW
Tuesday, January 12, 2016
Sunday, January 10, 2016
This one employs a technique I find very effective in maintaining viewer interest during longer videopoems: interweaving separate stories in the footage and voiceover to create a kind of dialectical tension. What doesn’t happen, or might happen, becomes as important as what does.
Saturday, January 9, 2016
Friday, January 8, 2016
Black Comic Book Festival
Saturday, January 16, 2016, 10 a.m. - 7 p.m.
515 Malcolm X Boulevard
2/3 trains to 135th Street
Across the street from Harlem Hospital
Schomburg Center for Research in Black Culture Fully accessible to wheelchairs
For all ages
The Schomburg Center's 4th Annual Black Comic Book Festival celebrates the rich tradition of black comix in a full day event featuring panel discussions, film screenings, hands-on workshops and exhibit tables with premiere black comic artists from across the country.
Join us and check out the mind-blowing afrofutrism art and design exhibition Unveiling Visions: The Alchemy of the Black Imagination curated by John Jennings and Reynaldo Anderson.
GO HERE FOR MORE DETAILS
You can read more at this link.
Thursday, January 7, 2016
Be it thick or thin
Always someone marches brave
Here beneath my skin
Has always been
All souls towards truth
Or maybe it is life itself
That feeds wisdom
To its youth
Has always been
Has always been
Has always been
Has always been
Has always been
Has always been
Has always been
Has always been
Has always been
Has always been
Wednesday, January 6, 2016
(An Intentionally Incomplete List)
Ebony G. Patterson: Dead Treez
November 10, 2015 to April 3, 2016
Museum of Art & Design (MAD Museum)
February 12–June 5, 2016
This Place explores the complexity of Israel and the West Bank, as place and metaphor, through the eyes of twelve internationally acclaimed photographers.
Coney Island: Visions of an American Dreamland, 1861–2008
November 20, 2015–March 13, 2016
Vigée Le Brun
Woman Artist in Revolutionary France
February 15–May 15, 2016
Group show of five artists
January 14-April 17, 2016
Warhol By the Book
Andy's artwork for book projects
February 5-May 15, 2016
The Morgan Library
Drawings by William Gropper
February 14-July 31 2016
The Art and Whimsy of Mo Willems
Children's book author and illustrator
March 18, 2016 - September 25, 2016
NY Historical Society
Brooklyn Abolitionists/In Pursuit of Freedom
January 15, 2014 - Winter 2018 (ongoing)
Brooklyn Historical Society
Munch and Expressionism
February 18-June 13, 2016
It’s a gorgeous, vast oasis for 200 formerly abused, abandoned, neglected, and homeless horses. Each horse has a name, a personality, likes, and dislikes — and amazingly, Jennifer knows them all by heart.
In the video below, Jennifer says many of the rescued horses come from the PMU, or Pregnant Mare Urine, industry. Premarin uses conjugated equine estrogens (CEEs) as the hormonal component in the Premarin family of products used to treat menopausal symptoms in women.
According to LCAnimal.org, “Harvested for their urine, the horses suffer terribly for the production of this drug. They are kept continually pregnant in stalls too small for them to even turn around in order for their urine to be collected by filthy, bulky tubing attached to their bodies. When they can no longer reproduce quickly they are sent to the slaughterhouse. Their meat is then sold for human consumption or dog food.” The Duchess Sanctuary is operated by The Fund for Animals in partnership with The HSUS.
Tuesday, January 5, 2016
From the archive, 26 August 1974: An interview with Josephine Baker
From a banana-clad dancer at the Folies Bergère to a Croix de Guerre from De Gaulle himself, Tim Murari meets the enigmatic Josephine Baker
An enchanting child opens the door, gravely extends her hand and says, “Bon jour Monsieur.” She isn’t more than 10, her hair curly and long, skin a pale porcelain brown, a delicate vivacious face which will outlast beauty, and inexhaustible energy that keeps her jumping on the bed as if it were a trampoline, until her mother, Josephine Baker, finishes her telephone call.
CONTINUE READING THIS 1974 INTERVIEW IN THE GUARDIAN ONLINE
Monday, January 4, 2016
The demise of our culture will result from the demise of its men if something isn’t changed quickly. Far too many men remain directionless, devastated and scared children.
Male suicide rate increased to three to four times higher than the female suicide rate. Men are twice as likely as women to become alcoholics. And males are far more likely to commit juvenile crime. Much has been said and written in recent years about the challenges of men and boys.
A sampling of book titles includes:
Why There Are No Good Men Left
The Demise of Guys The End of Men
Why Boys Fail
The End of Men, And The Rise of Women
Manning Up: How The Rise Of Women Has Turned Men Into Boys
A common theme is that men and boys have become increasingly confused about their identity and role in society. Kay Hymowitz, author of Manning Up, put it this way: “It’s been an almost universal rule of civilization that whereas girls became women simply by reaching physical maturity, boys had to pass a test. They needed to demonstrate courage, physical prowess, or mastery of the necessary skills. The goal was to prove their competence as protectors of women and children; this was always their primary social role.
Today, however, with women moving ahead in an advanced economy, provider husbands and fathers are now optional, and the character qualities men had needed to play their role—fortitude, stoicism, courage, fidelity—are obsolete and even a little embarrassing.” It is the norm in Hollywood films, TV and cable shows, and even commercials to portray men as incompetent, immature, or self-absorbed.
This underlying message has subtly and increasingly become the collective unconscious with devastating repercussions. Academically, it is reported in the United States that: Girls outperform boys now at every level—from elementary school through graduate school. By eighth grade, only 20 percent of boys are adept in writing and 24 percent adept in reading. Young men’s SAT scores in 2011 were the lowest they’ve been in 40 years.
According to the National Center for Education Statistics (NCES), boys are 30 percent more likely than girls to drop out of both high school and college. It is predicted that by 2016, women will earn 60 percent of bachelor’s and 63 percent of master’s degrees. Boys make up two-thirds of students in special education remedial programs. Women deserve the increased success they are getting. They’ve been oppressed for far too long. They’re hungrier and more motivated than most men. And hopefully society will continue to allow them the increased equality they deserve.
However, this article’s focus is on helping the struggling and confused young man. Indeed, many young men have taken the adverse cues of society as an excuse to evade responsibility and never really grow up. If you are a young man and you’re struggling, you are not alone. This article is intended to challenge you to rethink your entire approach to life. If applied, these habits will radically set you apart from the decaying norm.
Read more at Observer
Sunday, January 3, 2016
Exposed for the first time to Israel's growing populations of Ethiopian Jews through his students, Idan began to fall in love and identify with Ethiopian folk music. He also found that most of the immigrant boys he worked with were forced to shun the culture of their homeland in desperate hopes of assimilating into mainstream Israeli society. Inspired by this realization, Idan began investing time in learning more about the many immigrant cultures that made up Israel.
Hanging out with a wide variety of musicians, Idan hoped to encourage his students and new friends to embrace and live out their native cultural heritage. In the meantime Idan became an established supporting musician, working as a sideman alongside some of the nation's most important pop acts. With his ever-growing number of world musician friends and pop production knowledge, Idan set to recording some of the richly multicultural music he'd begun to create.
Over 70 musicians contributed to the demo recording that Raichel used to garner the support he would need for a full-length production. With the support of Helicon Records, the Idan Raichel Project was born, featuring the songwriting and production of Raichel, and musical contributions from an amazingly diverse cast of players.
The record created buzz worldwide, showered with praise by some of the industry's most influential voices. It was a breakout success in Israel and throughout the region. Raichel and his group maintained a busy touring schedule in response to their explosive popularity.
Saturday, January 2, 2016
With the advent of social media, the general barometer for human sensitivity is on a sharp decline. In a world where everything is put on display for likes and in hopes of "breaking" the internet, people go to great extremes to make a video or a photo go "viral." In post-modern society nothing is off limits; from subtle racism to forcing children to tears—anything goes. The below video posted to YouTube earlier today, raises questions about cultural sensitivity, the malicious use of video, and private moments that end up on display. The ESSENCE team had a myriad of responses to this video and we have a few questions for those persons behind the filming of it.
Go here for the rest of the story
The entire short film is a genius example of both editing and compositing, and is also a bit of criticism on how in so many Hollywood films with a nightclub scene in it, every one of them is seemingly shot and lit the same, whether it’s on another planet in a galaxy far, far away, or one set firmly in the Disco ’70s. So just who’s partyin’ at Hell’s Clib? We’ve got Anakin and Obi-Wan of course, but also Tom Cruise, as both his character from the movie Cocktail and the movie Collateral (Tom seems a bit freaked out upon seeing his double, I must say.) He’s not the only actor appearing in Club Hell as two different characters” John Travolta appears as both his Saturday Night Fever and Pulp Fiction roles. And then there’s Pinhead from Hellraiser, Arnie as the Terminator, Robocop…the list goes on and on.
Friday, January 1, 2016
Thursday, December 31, 2015
Wednesday, December 30, 2015
Tuesday, December 29, 2015
12 Animals Whose Names Etymologically Describe Them
- Porpoise, “Pig Fish”
- Aardvark, “Earth Pig”
- Porcupine, “Thorny Pig”
- Hippopotamus, “River Horse”
- Rhinoceros, “Nose Horn”
- Octopus, “Eight Feet”
- Orangutan, “Man Of The Forest”
- Squirrel, “Shade Tail”
- Chameleon, “Dwarf Lion”
- Armadillo, “Little Armored One”
- Flamingo, “Flaming, Flame-Colored”
- Ferret, “Little Thief”
Monday, December 28, 2015
Steamboat Bill, Jr.
Sunday, December 27, 2015
Saturday, December 26, 2015
The Lansdowne Throne of Apollo. Marble, Roman, late 1st century.
This high-backed marble throne is perhaps the most remarkable work of Roman sculpture in LACMA’s collection.
Despite its elaborate decoration, the artfully decorated legs terminating in lion’s paw feet, and the front pair topped by eagle heads - it could hardly have been sat upon.
Cloth and animal skin realistically drape the cushion on the seat, but they are all carved in marble. Furthermore, the back of the chair is adorned with figures in high relief.
A sinuous snake weaves its way in and out of an archer’s bow, below which is a quiver full of arrows.
The throne was purchased at a sale in 1798 by William Petty Fitzmaurice, second Earl of Shelburne and first Marquess of Lansdowne (1737-1805).
His collection of ancient sculptures was among the most celebrated of its time, and many statues were acquired from Italy with the help of the Scottish artist and dealer, Gavin Hamilton (1723-1798).
The find-spot of the throne is unknown, which means that we can not be certain as to its original purpose.
However, since thrones were generally associated with figures of high status, such as gods and heroes, it is reasonable to think of it in some sort of ritual or religious setting.
The objects in high relief provide further clues. The bow and quiver are regularly associated with the god Apollo, and the snake might refer to the fearful serpent Python, guardian of the oracle at Delphi, which Apollo slew in his youth.
The throne was given to Los Angeles County Museum of Art by William Randolph Hearst, who had acquired it at the sale of the Lansdowne Collection in 1930.
Friday, December 25, 2015
George Tice - Country Road, Lancaster, Pennsylvania, 1961.
Although I am not drawn to pictures of cars it is the striking contrast of the white road and the blackness of the countryside that make this an affective image for me. Other things, too: the sense that when your eye "picks" up the car in the upper right hand corner one seems to drive it forward along the road toward the lower left corner. So simple yet so brilliant.
Thursday, December 24, 2015
Angelina Jordan Astar told a Norwegian television station she speaks English and "understood [the song] very well."
"I felt something special about it, it's hard to explain in words. When I sang it for my mom, she said that this song is nice, but it was incredibly sad song."
"Gloomy Sunday" is a song composed by Hungarian pianist and composer Rezső Seress and published in 1933, as "Vége a világnak" ("End of the world"). Lyrics were written by László Jávor, and in his version the song was retitled "Szomorú vasárnap" (Hungarian pronunciation: [ˈsomoruː ˈvɒʃaːrnɒp]) ("Sad Sunday"). The song was first recorded in Hungarian by Pál Kalmár in 1935. "Gloomy Sunday" was first recorded in English by Hal Kemp in 1936, with lyrics by Sam M. Lewis, and was recorded the same year by Paul Robeson, with lyrics by Desmond Carter.
It became well known throughout much of the English-speaking world after the release of a version by Billie Holiday in 1941. Lewis's lyrics referred to suicide, and the record label described it as the "Hungarian Suicide Song". There is a recurring urban legend that claims that many people committed suicide with this song playing.
There have been several urban legends regarding the song over the years, mostly involving it being allegedly connected with various numbers of suicides, and radio networks reacting by purportedly banning the song. However, most of these claims are unsubstantiated.
Press reports in the 1930s associated a number of suicides, both in Hungary and America, with "Gloomy Sunday", but most of the deaths supposedly linked to it are difficult to verify. The urban legend appears to be, for the most part, simply an embellishment of the high number of Hungarian suicides that occurred in the decade when the song was composed due to other factors such as famine and poverty. No studies have drawn a clear link between the song and suicide.
In January 1968, some 35 years after writing the song, its composer Rezső Seress did commit suicide. He survived jumping out of a window in Budapest, but later in the hospital choked himself to death with a wire.
The BBC banned Billie Holiday's version of the song from being broadcast, as being detrimental to wartime morale, but allowed performances of instrumental versions. However, there is little evidence of any other radio bans; the BBC's ban was lifted by 2002.
Billi's accompanied by Emmett Berry (tp); Jimmy Hamilton (cl) & (ts); Hymie Schertzer (as); Babe Russin (ts); Teddy Wilson (p); Albert Casey (g); John Williams (b); and J C Heard (ds). Recorded August 7, 1941. (Okeh Records) 31005-1
Sunday is gloomy my hours are slumberless
Dearest the shadows I live with are numberless
Little white flowers will never awaken you
Not where the black coach of sorrow has taken you
Angels have no thought of ever returning you
Would they be angry if I thought of joining you?
Gloomy is Sunday with shadows I spend it all
My heart and I have decided to end it all
Soon there'll be candles and prayers that are sad I know
Let them not weep let them know that I'm glad to go
Death is no dream for in death I'm caressing you
With the last breath of my soul I'll be blessing you
Dreaming, I was only dreaming
I wake and I find you asleep in the deep of my heart dear
Darling I hope that my dream never haunted you
My heart is telling you how much I wanted you
Wednesday, December 23, 2015
Taglioni's Jewel Casket
1940. Wood box covered with velvet containing three rows of four glass cubes resting in slots on blue glass, glass necklace, jewelry fragments, and red, blue, and clear glass chips
The box is infused with erotic undertones—both in the tactile nature of the glass cubes, velvet, and rhinestone necklace (purchased at a Woolworth's dime store in New York) and in the incident itself.
The first of dozens Cornell made in honor of famous ballerinas, this box pays homage to an incident involving Marie Taglioni, an acclaimed nineteenth-century Italian dancer.
According to legend Taglioni kept an imitation ice cube in her jewelry box to commemorate this episode: One night her carriage was stopped on a desolate road. Russian highwayman forced her to dance naked on a leopard skin covering the snow. She is said to have found this both terrifying and exciting and always remembered it with the artificial ice cube in her jewelry box.
In the collection of Museum of Modern Art by donation in 1953.