A Creative Arts Guide for Teens


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DOG STAR NYC IS A CREATIVE ARTS GUIDE FOR TEENS | ART + THEATER + CHEAP DATES + POP CULTURE + FREE EVENTS + CITY LIVING + DESIGN + MUSIC + PHOTOGRAPHY + SPORTS + VIDEO + FILM + STREET LIFE + WRITING + POETRY & LOTS OF FUN + MAKE ART OUT OF YOUR LIFE!

NOW IN OUR 6th YEAR! NEW POSTS DAILY!

BELIEVE YOU BELONG!

BE CURIOUS ABOUT THE WORLD!

"Thank you for DogStarNYC, in general. The site speaks to so many kinds of interests; it discerns which qualities will appeal to many different tastes in a tremendous number of activities. I love how it encourages young people to pay attention to the unusual.

In New York we let so many teens walk around the periphery, mildly shell-shocked by life, while the information that they need to make sense of their world sits in the center of the room. DogStarNYC welcomes them into the middle of the room; the blog tells them how to walk there." - Stacy L.

EMAIL: dogstarcontact@gmail.com

DOG STAR is the creation of a high school English teacher in New York City. This blog began in 2008 as an online community for a journalism class and has since evolved into a curated site on the creative arts, arts-related news and a guide to free and low-cost events for teens. Our mission is to offer teens real-life options for enjoying all the creative arts in New York City. May wisdom guide you and hope sustain you. The more you like art, the more art you like!

IMPORTANT NOTICE OF NON COMMERCIAL & EDUCATIONAL CONTENT Unless otherwise stated, we do not own copyrights to any of the visual or audio content that might be included on this blog. Dog Star is for criticism, commentary, reporting and educational purposes under the FAIR USE ACT: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. If you own the copyright to any images and object to them being included in this blog, please advise and the content will be removed. No attempt is made for material gain from this blog's contents.

Thursday, July 24, 2014

NFL Needs to Confront Misogyny (The Hatred, Mistreatment and Disrespect of Women)

The NFL needs to stop worrying about whether or not gays and their allies are a distraction and pay more attention to the misogyny among its players. Ray Rice gets a 2-game suspension for beating his girlfriend unconscious!

Vikings coach and his homophobia: http://espn.go.com/nfl/story/_/id/11260324/minnesota-vikings-special-teams-coordinator-mike-priefer-apologizes-homophobic-remark

FREE! Go See "HERE & ELSEWHERE" at New Museum


Dog Star recently visited the HERE & ELSEWHERE exhibition at the New Museum on the Bowery in Manhattan.  It's an incredible journey through Arab cultures as seen through the eyes of artists and filmmakers from the region.  All of the artwork is related in some way to challenging stereotypes about the "Middle East" and the ways images are used as propaganda.

One of the things that makes the exhibition so engaging - and worth seeing - is that there are many kinds of artwork:  video, painting, sculpture, dioramas, photography, drawings and collage.  Another reason to see the exhibition is to be exposed to different points of view and cultures than what we typically see in American media.

See a slideshow of artwork and read more about the exhibition in this New York Times review here

NEW MUSEUM is EASY TO REACH - go here for directions.

Thursday Evenings 7 p.m.–9 p.m.: Pay-What-You-Wish
Suggested Minimum: $2 
ALL TIMES FREE for 18 and under accompanied by an adult.
Closed on Mondays and Tuesdays.

“Here and Elsewhere” runs through Sept. 28 at the New Museum

Our favorite work in the exhibition is the discovery of a photographer Van Leo.  His self-portraits reminded Dog Star of the work of Claude Cahun (here) and Cindy Sherman (here) to other artists who also use self-portraits to create alternative identities.

Van Leo (here) was an Armenian-Egyptian photographer who became known for his numerous self-portraits and portraits of celebrities of his time.

Here are some images of Van Leo:






from the New Museum website:

The exhibition brings together more than forty-five artists from over fifteen countries, many of whom live and work internationally. In keeping with the New Museum’s dedication to showcasing the most engaging new art from around the globe, “Here and Elsewhere” is the most recent in a series of exhibitions that have introduced urgent questions and new aesthetics to US audiences. 

“This exhibition continues the New Museum’s commitment to looking at art from beyond the confines familiar to the New York art world,” said Massimiliano Gioni, Associate Director and Director of Exhibitions. “‘Here and Elsewhere’ brings new works and new voices to our audiences, presenting many artists who are showing in New York for the first time.” 

Combining pivotal and under-recognized figures with younger and midcareer artists, “Here and Elsewhere” works against the notion of the Arab world as a homogenous or cohesive entity. Through the original and individualized practices of a multigenerational constellation of artists, the exhibition highlights works that often have conceptual or aesthetic references to the Arab world, yet also extend well beyond.

FREE! Go See Diane Arbus's Classic Photo Jewish Giant at The Jewish Museum - Bring your friends!



Masterpieces & Curiosities: Diane Arbus's Jewish Giant continues a new series of exhibitions focused on individual works in The Jewish Museum’s world-renowned collection. 

GO HERE FOR A NEW YORK TIMES ARTICLE CALLED "A CLOSE READ" ON THE BACKGROUND OF THE PHOTO

On view from April 11 to August 3, 2014, this exhibition focuses on Diane Arbus's A Jewish giant at home with his parents, in the Bronx, N.Y., 1970, using ephemera, sound recordings, and family photos to provide an intimate look into one of Arbus's most recognized yet least understood subjects. 

In 1959 the photographer Diane Arbus (1923–1971) visited Hubert’s Dime Museum and Flea Circus, a Times Square basement phantasmagoria. One of its main attractions was Eddie Carmel, a man who supposedly stood over nine feet tall, billed as “The World’s Tallest Man.” 

In April 1970, a year before her death, Arbus visited him at the home he shared with his parents, and shot her iconic portrait. Carmel was the son of immigrants from Tel Aviv. He had lived a normal life in mid-century New York until age fifteen, when he began to suffer from acromegaly, a hormonal condition causing extreme growth. He soon needed custom-made clothing, and was unable to finish college or pursue a typical career because he realized that people could not look beyond his physical appearance. 

Feeling like a social outcast, he embraced a life in show business, celebrating and even exaggerating the feature that made him unique. A Jewish giant at home with his parents, in the Bronx, N.Y., 1970 shows an ailing Eddie, age 34, struggling to stand upright just two years before his death. 

Photographs and ephemera on view chronicling Eddie Carmel’s life and career include family snapshots from the 1940s, a pair of his custom-made size 24 shoes, an example of the oversized rings sold at his sideshow performances, and a novelty album Carmel recorded as part of his efforts to find greater fame. 


The exhibition also features works from The Jewish Museum’s collection depicting the biblical giant Goliath and the Jewish legendary figure of the Golem; a selection of memorabilia of two famous giants from popular culture, the Incredible Hulk and the wrestler Andre the Giant; as well as a photograph by Lisette Model – one of Arbus’s influences and teachers – depicting the gender-bending performer Albert-Alberta, who appeared alongside Eddie Carmel at Hubert’s Dime Museum and Flea Circus.

Diane Arbus’s photographs often explore the tension between normalcy and aberrance. In A Jewish giant at home with his parents, in the Bronx, N.Y., 1970, she touches on the popular obsession with superhuman height – a recurrent theme in folklore and popular culture. 

Her image and its mesmerizing subject may be seen in both historical and metaphorical terms. Artists and audiences have long marveled at any deviation from a supposed norm, but the allure of the extraordinary is deeply intertwined with unease about the human body, its unpredictable abnormalities, and their attendant difficulties. 

In this way, gigantism and its mythology offer lessons about the infinite range of human experience, poignantly emphasized by Arbus’s photograph. 

DOG STAR'S CHEAT SHEET
The Jewish Museum in on the corner of Fifth Avenue & 92nd Street

CLOSED ON WEDNESDAYS
Admission is $7.50 for students (with school I.D.) and $15 for adults

Dog Star recommends going on a Thursday night from 5pm to 8pm when everybody can pay just $1 or go on Saturdays when it's FREE all day for everybody.  Check website for opening and closing times.

Dog Star Field Trip to Storm King (Upstate New York Sculpture Park)







Tuesday, July 22, 2014

Discover 21 Quest's WHERE I'M FROM

Dog Star is a long-time fan of 85th and one member of the crew, 21 Quest, has just released his solo project.  This self-released concept album pays homage to his roots:  the Lower East Side, Dominican Republic, Brooklyn, Queens and the rest of New York City and the people who matter to him.

85th member Matt Cronin stands out on HOME COOKED MEALS and the track sneaks in a fine conscious-raising spoken word performance by poet Janine Simon.

On LADY LIBERTY 21 enlists the incredibly talented and mesmerizing Candace Lee Camacho for an intoxicating hook.  Switched on beast mode, 21's comrades-in-arms Eleagle Being and DC make appearances to remind listeners of this crew's hard swagger in full effect.

All listeners familiar with the alchemy of producer Ken-I will lay offerings at his feet for this one.  As the Executive Producer of WHERE I'M FROM, Ken-I shows himself to be the high priest of the temple in the hills.  We imagine he lives in a far away palace with rooms filled with turntables and libraries with sounds he'll put into service of fresh and original tracks like potions from an ancient spell book.  Below Ken's temple palace beautiful near-naked priestesses guide pilgrims who have come from miles and miles to lay their headphones at the temple doors.  He is truly on some next-level shit.  You will recognize.









12 Animal Adjectives to Bolster Your Vocabulary

ANGUINE The word means snakelike. 

BUTEONINE Resembling a buzzard. 

DELPHINE Delphine is an obsolete adjective referring to the dolphin. 

DIDELPHINE It’s a variant of didelphian (double uterus) and refers to a subclass of marsupials including opossums. 

HIPPOCAMPINE A rarely used adjective relating to seahorses. 

LIMACINE Of, relating to, or resembling a slug, slime.

MACROPODINE Refers to kangaroos or wallabies. 

MEPHITINE Skunk-like. 

MURINE Relating to a mouse or mice. 

MUSTELINE Of or belonging to a weasel. 

PHOCINE Rresembling a seal. 

PICINE Like a woodpecker. 

So, I'll get you started: 

"You know the one I mean...the one with the hunch back and phocine body?" 

"I was so creeped out on the train by these two guys and the limacine way they hung close to the door..." 

"She wouldn't sit still; she'd dart around the room like a murine creature in search of some cheese. I think she stole the stapler off my desk, too!"

Monday, July 21, 2014

QUOTE OF THE DAY (Picasso's Bathers)

"Who sees the human face correctly: the photographer, the mirror, or the painter?"
— Pablo Picasso 

Sunday, July 20, 2014

Five Paintings We Love @ The Frick - Bring your friends and family!

Dog Star enjoys The Frick Collection because it NEVER changes its permanent collection - it always has on view the paintings Henry Clay Frick selected and placed within his home.  

This does not mean the Frick doesn't have room for special exhibitions; it has separate spaces for temporary little shows.  We want devoted readers to visit the Frick to see these paintings in person - for yourself.  

The descriptions of the paintings are taken from the museum's website.  

Here is a photo of the West Gallery - imagine having this room in your home as your private art collection.  It's just ONE of the rooms you will see at the Frick:
 


   
The Frick welcomes quiet and respectful teens who put away all electronics, check their coats and bags and enjoy this very special museum as if they are visiting a stranger's home.  The Frick is open to ALL NEW YORKERS!

The Frick Collection (more here) is EASY TO REACH at 70th Street and Fifth Avenue - take the 6 train to 68th Street / Hunter College and walk over to 5th Avenue from Lexington & 68th. Admission for teens is $10 (students with valid identification).  Dog Star says go early on Sundays and pay just $1!  On Sundays, pay what you wish from 11:00 a.m. to 1:00 p.m.


Learn more about the Frick family and origins of the collection and museum here.  The museum was planned as a permanent art collection to be open to the public by its founder Henry Clay Frick!



PAINTING #1 - ABOUT THE PAINTING ABOVE:  Lodovico Capponi painted by Agnolo Bronzino. This proud young aristocrat is Lodovico Capponi (b. 1533), a page at the Medici court. As was his custom, he wears black and white, his family's armorial colors. His right index finger partially conceals the cameo he holds, revealing only the inscription sorte (fate or fortune) — an ingenious allusion to the obscurity of fate. In the mid 1550s Lodovico fell in love with a girl whom Duke Cosimo had intended for one of his cousins. After nearly three years of opposition, Cosimo suddenly relented, but he commanded that their wedding be celebrated within twenty-four hours.   

WHY WE LOVE IT: We like to think that Frick chose this painting of Capponi because of its association with one of the most powerful families in history.  The Medici family of the Italian Renaissance ruled over the region of Florence / Tuscany and nobody did anything without their permission.  They made a fortune owning farms, mills, textile (tapestry) companies and family members were even connected to the Vatican in Rome.  Frick most likely admired this young man and may have seen an aspect of himself in the picture:  bold, proud and ready for the upper classes!


PAINTING #2 - ABOUT THE PAINTING ABOVE: Gilbert Stuart  (1755 - 1828) George Washington, 1795-1796  Stuart earned a fortune producing replicas of the three portraits he painted from life of the first President of the United States. The Frick canvas is thought to be one of two copies painted by the artist for the Philadelphia merchant John Vaughan. It belongs to the group known as the “Vaughan type,” although it differs from the related versions in the color of the coat and in the treatment of the background. Stylistically the portrait recalls the work of Stuart’s English contemporaries, such as Romney and Hoppner.

WHY WE LOVE IT: The first thing to know is that the portrait of Washington on the one dollar bill is by Gilbert Stuart - same artist.  We like this painting because it shows our first president in a red velvet coat and we like to think Frick liked that, too.



PAINTING #3 - ABOUT THE PAINTING ABOVE: Johannes Vermeer  (1632 - 1675) Mistress and Maid, 1666-1667  The subject of writing and receiving letters, which recurs frequently in Vermeer’s work, is given an exceptional sense of dramatic tension in this painting of two women arrested in some moment of mysterious crisis. The lack of final modeling in the mistress’ head and figure and the relatively plain background indicate that this late work by Vermeer was left unfinished. Nevertheless, the artist seldom if ever surpassed the subtly varied effects of light seen here as it gleams from the pearl jewelry, sparkles from the glass and silver objects on the table, and falls softly over the figures in their shadowy setting. Bought by Mr. Frick in 1919, the year of his death, this painting was his last purchase and joined Rembrandt’s Self-Portrait, Holbein’s Sir Thomas More, Bellini’s St. Francis, and Velázquez’ King Philip IV among his favorite acquisitions.

WHY WE LOVE IT: Frick had exquisite taste and bought the very best paintings.  His taste in art is strongly conservative; by the time of his death in 1919 cubism and abstratcion were very popular but he would never have bought those kinds of pictures - he did not have a taste for "modern" art.  But there is just no disputing the beauty of a Vermeer - the way he handles the light so delicately!



PAINTING #4 - ABOUT THE PAINTER/ING ABOVE: Rembrandt Harmensz. van Rijn  (1606 - 1669) Self-Portrait, 1658.  Rembrandt first studied art in his native Leyden and later worked under Pieter Lastman in Amsterdam. Around 1625 he returned to Leyden, but in 1631/32 he settled permanently in Amsterdam. Although he enjoyed a great reputation and pupils flocked to him, he suffered financial difficulties that led to insolvency in 1656. By 1660 most of his debts were settled, and his last years were spent in relative comfort. Rembrandt painted many portraits, biblical scenes, and historical subjects.

WHY WE LOVE IT: This painting was completed about ten years before the painter died.  By the time he painted it his career had long been over.  And yet Rembrandt makes himself look so majestic, so regal like a king who is still at the top of his game.


PAINTING #5 - ABOUT THE PAINTING ABOVE: Jean-August-Dominique Ingres  (1780 - 1867) Comtesse d'Haussonville, 1845Louise, Princesse de Broglie (1818–82) and granddaughter of Madame de Staël, married at the age of eighteen. Her husband was a diplomat, writer, and member of the French Academy, and she herself published a number of books, including biographies of Robert Emmet and Byron. For her time and her elevated social caste, she was outspokenly independent and liberal. This portrait, begun in 1842, was the fruit of several false starts and a great many preparatory drawings, including full-scale studies of the raised left arm, the head, and its reflection. According to a letter written by the artist, the finished work “aroused a storm of approval among her family and friends.” Ingres appears to have surprised the young lady in the intimacy of her boudoir, where she leans against an upholstered fireplace, having just discarded her evening wrap and opera glasses.  


WHY WE LOVE IT: This painter's last name is pronounced eng-ah.  It's so easy to see why Frick would have loved this painting and why we love it, too.  The Comtesse is so beautiful and so charming in this portrait while also hinting that she is ready and willing to have an intelligent conversation.

Imaginary Dog Star Soundtrack: The Spinners - Could It Be I'm Falling In Love

Saturday, July 19, 2014

Dog Star Selects Shuttlecocks

Claes Oldenburg , American , b. 1929 , b. Sweden
Coosje van Bruggen , American , 1942-2009 , b. The Netherlands
Fabricator: Merrifield-Roberts, Inc. , American
Shuttlecocks, 1994 
Permanently in view outside the Nelson-Atkins Museum in Kansas City, MO.
Go here for the museum and go here for the sculpture park.